David Schmüdde - Aesthetics and Narrative: Programming What Cannot Be Programmed
Great talk on composing functions for creative use!
Great talk on composing functions for creative use!
Here’s a couple of new tracks I’ve put together using my Soundb0ard software..
I’m just back from a two week holiday in the UK, and while over there, I took part in the first Energized Labs meetup (thanks Matt!), and gave a talk about my efforts in trying to combine my art and tech influences..
Also check both Matt and Martin’s talks from the same session ..
This is a good chat with Doug Eck, of the Google Magenta project It’s a project I’ve been keeping an eye on, as it has a ton of potential. I’ve generated some melodies based on their Melody RNN - although i need to spend more time with it, as I’ve been more focussed on own generative algorithms.
I’ve just read ‘Microsound’ by Curtis Roads. I was well aware of the microsound movement, but hadn’t realized the depth of the theory behind granular synthesis, with it’s history going back to the 1940s, and early practise from Xenakis (using tapes) and this lad, Curtis Roads, programming his own granular synth on a PDP-11/20
in 1974 - what a bad-ass! Check this site for some good background and papers.
I found these videos of Curtis Roads, via the site linked above.